Add to ORKGInternational audienceAlthough subcognitive activity is central to improvisational composition, it is also part of interpretative composition: organizing a randomly generated string of symbols requires some experience in dealing with abstract representations of music, which in turn means a long-term acquaintance with final products: sound and scores
Performative alter egoThe dynamic development of the Internet and the constant search for new ways...
This article discusses three compositions for autonomous laptops performing with improvising musicia...
Music notation is probably one of the earliest forms of sequential programming. Each note on a stave...
International audienceAlthough subcognitive activity is central to improvisational composition, it i...
the changing roles of participants in a musical improvisation and synchronously generate appropriate...
International audienceCreative Symbolic Interaction brings together the advantages from the worlds o...
Computer music is that in which computers mediate some or all part(s) of the creative process. Compu...
This portfolio consists of 15 original musical works. Taking the form of electronic and acousmatic m...
Music interactivity is a sub-field of human-computer interaction studies. Interactive situations hav...
Interaction is an integral part of all music. Interaction is part of listening, of playing, of compo...
International audienceCreative Symbolic Interaction brings together the advantages from the worlds o...
Presented at INTETAIN 2014, 6th International Conference on Intelligent Technologies for Interactive...
International audienceThis paper presents the authors' first attempt at a new (and unexpected) exerc...
We consider the artist-programmer, who creates work through its description as source code. The arti...
The orthodox view of the computer as a medium or medium of media (ie. “new media”) is perfectly just...
Performative alter egoThe dynamic development of the Internet and the constant search for new ways...
This article discusses three compositions for autonomous laptops performing with improvising musicia...
Music notation is probably one of the earliest forms of sequential programming. Each note on a stave...
International audienceAlthough subcognitive activity is central to improvisational composition, it i...
the changing roles of participants in a musical improvisation and synchronously generate appropriate...
International audienceCreative Symbolic Interaction brings together the advantages from the worlds o...
Computer music is that in which computers mediate some or all part(s) of the creative process. Compu...
This portfolio consists of 15 original musical works. Taking the form of electronic and acousmatic m...
Music interactivity is a sub-field of human-computer interaction studies. Interactive situations hav...
Interaction is an integral part of all music. Interaction is part of listening, of playing, of compo...
International audienceCreative Symbolic Interaction brings together the advantages from the worlds o...
Presented at INTETAIN 2014, 6th International Conference on Intelligent Technologies for Interactive...
International audienceThis paper presents the authors' first attempt at a new (and unexpected) exerc...
We consider the artist-programmer, who creates work through its description as source code. The arti...
The orthodox view of the computer as a medium or medium of media (ie. “new media”) is perfectly just...
Performative alter egoThe dynamic development of the Internet and the constant search for new ways...
This article discusses three compositions for autonomous laptops performing with improvising musicia...
Music notation is probably one of the earliest forms of sequential programming. Each note on a stave...